Portrait de la jeune fille en feu 0123movies

 

 

Céline Sciamma / Rating=34547 vote / France / In 18th century France a young painter, Marianne, is commissioned to do the wedding portrait of Héloïse without her knowing. Therefore, Marianne must observe her model by day to paint her portrait at night. Day by day, the two women become closer as they share Héloïse"s last moments of freedom before the impending wedding / 2019 / writer=Céline Sciamma

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When I finished Parasite(2019) I was so sure it was going to be my favourite foreign film of the year considering my negligence to foreign films. But what do you know it probably just got beaten.
Portrait of a lady on fire is definitely not everyones cup of tea. It"s quite slow, the plot isn"t otherworldy, the pacing isn"t satisfactory and it loses its charm at it"s climax by a considerable amount.
But what it is, is absolutely mesmerizing. It was so beautiful in fact I felt I was doing a disservice to the talented group of individuals that made the film by watching it in a dodgy print in a small monitor. It was so beautifully shot that I didn"t feel bored even at the slightest at what should"ve been a very boring part of the film. The setting is picturesque and the cinematography is luscious. The score is absent but as I went and googled I found it was done for a reason. Truly and "art film.
The use of color and set design greatly benefits the overall experience as does the timeperiod. The acting is simply marvelous. Both the actress really portrayed their characters to perfection, the subtle emotes and pale turned gleeful glances were superb. I don"t know if those were award worthy performances but it definitely kept me glued to the seat delighted and mesmerized. The script was quite unusual, it doesn"t have much dialogues but when there were those were sharper and absolutely unabashed. It"s shot beautifully and a good example of a talented director at the helm.
As beautiful as it looks and as much as the sexual tension was captivating, it was not flawless. The movies pacing is affected by a certain sidecharacters unnecessary arc which I couldn"t care about even if I tried. It really drains out the magic of the film to quite a degree. Another disheartening thing is how the two leads fall for each other without much buildup. I mean it is not necessarily a spoiler as the movie is about lesbians in the 1800s but I felt the movie was more enjoyable and enchanting when there was sexual tension between them. When they get together it"s down to the same cookie-cutter formula of forbidden love and it really drowns the movie quite a bit.
Surely one of the most beautiful movies I"ve seen this year but a few overplayed elements and abrupt pacing at the last quarter of the film bogged it down quite a bit. It is still a treat to look at nonetheless. The rating might not go in line with the flaws I mentioned above but considering how it managed to draw me in with what should"ve been something really boring, I"d say it earned it.

The acting by the two principle actresses in this movie is first-rate. The direction, though it moves slowly, is very good.
But what made this movie remarkable for me was the cinematography. The most striking scenes feature the blonde character walking along the shore against a relatively light-blue sea. You have to see it to experience how beautiful those scenes are.
But some of the interior scenes have face lighting that will make you think of Rembrandt. (The movie is about a painter, so it"s not surprising that the lighting of faces should be very important.)
There are other scenes where you have one deep red dress against a white background, again to very striking effect.
I just saw this movie in France, so with neither dubbing nor subtitles. I don"t know how it will work with either of them.
But if you can understand the language - which is very clear, very classic standard French with little background noise behind it - you will discover a remarkable study of two women photographed in a truly astounding manner.

 

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